Introduction
The X100VI is the latest version of Fujifilm’s now classic series of fixed focal length, premium compact cameras. It effectively replaces the four-year-old X100V model, which became something of a TikTok sensation in the last couple of years and was subsequently almost impossible to buy. It has a 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor and X-Processor 5 image processing engine which is twice as fast as the X Processor 4 found in the X100V, and an extended ISO range of 64-51,200. This represents a big megapixel increase from the 26.1mp sensor used in the X100V. Also ISO 125, which was an extended sensitivity option on the previous model, is now available natively on the X100VI. It is capable of recording 6.2K/30p and DCI 4K video internally at up to 60p in 4:2.2 10-bit via HDMI for up to 45 minutes. High-speed 1080/240p is also available. A fixed 23mm f/2.0 lens offers a classic focal length of 35mm (35mm equivalent), making it an ideal camera for street photography and the like. The lens features an optical design that includes two aspherical elements for greater sharpness and clarity. It offers the ability to focus closely at 10cm from your subject with greater sharpness when shooting wide-open, and a Super EBC coating has been applied to help suppress lens flare and ghosting. The lens is still exactly the same size as previous lenses and is therefore still compatible with the legacy WCL/TCL conversion lenses, whilst retaining its internal 4-Stop ND filter. It can shoot blackout-free at 20fps with continuous phase-detect auto-focus and auto-exposure when using the electronic shutter with a 1.29x crop applied and offers 15fps continuous shooting when using the mechanical shutter. This camera has a phase-detection autofocus system which offers 117 selectable points that cover virtually the entire sensor area and it can automatically detect animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones thanks to the X-Processor 5’s AI deep learning capabilities. Other key features include 5-axis in-body image stabilisation (IBIS) which provides up to 6 stops of compensation, the brand new Reala Ace film simulation mode, an Advanced Hybrid Viewfinder with a combined 0.52x OVF and 3.69m-dot OLED EVF, a two-way tilting 3.0-inch 1.62m-dot LCD touchscreen and a four-stop ND filter that works for both stills and video. It can be made weather-resistant when paired with the optional AR-X100 Adapter Ring and PRF-49 weather-sealing protection ring. The Fujifilm X100VI is available from March 2024 in either Black or Silver priced at £1599 / $1599 / €1800 for the camera body only in the UK, US and Europe respectively. It is designed and manufactured in China. To celebrate Fujifilm’s 90th anniversary, an X100VI Limited Edition model is also available, limited to 1,934 units worldwide. These limited-edition models are individually numbered and delivered in a special box with strap, soft release button and history cards. The camera body is engraved with the original Fujifilm corporate brand logo from 1934, along with the unique serial number.
Ease of Use
I first used (and bought) the original X100 camera way back in 2011, just as smartphones were getting into their all-conquering stride. Fast forward 13 years, and seemingly very little has changed with the release of the sixth-generation X100VI, at least externally.
It’s fair to say that if you’re a long-time user of the X100-series than you won’t notice too many major differences between all of the models as regards to their in size, weight or control layouts.
This new model still shares the very similar svelte, stylish retro DNA of the X100, just continuously refined by Fujifilm as they’ve worked their way through the X100, X100S, X100T, X100F, X100V and now the X100VI.
Each one has shared the same core characteristics of a large APS-C sensor and a 23mm f/2 fixed lens, and the new 2024 version is no different in either of these respects.
The roughly two-year life-span of each new X100 release was interrupted by Covid, so the X100VI is effectively replacing a 4-year-old camera.
Outwardly Fujifilm have played things very safe, as you’d be hard-pressed to tell the difference between the VI and V when looking at them side-by-side from any angle.
This new version is ever so slightly deeper (by 2mm!) and it’s heavier by 43g than its predecessor, a necessary increase due to the inclusion of in-body image stabilisation (IBIS) for the very first time on an X100-series camera.
IBIS makes it easier to hand-hold the camera and still get sharp results, providing around 6 stops of compensation for both stills and video (5.5 stops when using the optical viewfinder), greatly increasing its versatility in low-light situations where its predecessor may have struggled.
The new X100VI concentrates on delivering sheer resolution and high levels of detail by utilising exactly the same 40-megapixel X-Trans CMOS 5 HR sensor that first made its debut in the Fuji X-series camera range with the X-H2.
This is a BSI (back-side illuminated) sensor design that has much more of a focus on detail and resolution than out-and-out speed.
It offers a big increase in resolution compared to the X100V, allowing you to crop much more aggressively than before, or to make bigger prints at similar resolutions.
The X100VI offers exactly the same burst shooting rates as the X-T5 mirrorless model. They can both shoot at 20fps when using the electronic shutter with a 1.29x crop applied, and both offer the same 15fps continuous shooting speed when using the mechanical shutter.
The buffer size is 117 JPEGs or 52 compressed RAW files before the continuous shooting rate starts to slow down.
To help with capturing the precise moment, the X100VI has a clever Pre-shot burst shooting mode, with the camera constantly filling the buffer while you half-press the shutter button, and then keeping the most recent 20 frames taken 0.5-1 seconds before a full press of the shutter button, eliminating any camera and human-added delay. Note that this feature only works with the electronic shutter.
The X100VI actually has two kinds of shutter, mechanical and electronic. When using its mechanical leaf shutter, it has a top shutter-speed limit of 1/4000th second in all shooting modes.
It considerably improves the fastest shutter speed for the electronic shutter by 2.5 stops, from 1/32,000 sec on the previous generation X100V to a remarkable 1/180,000 sec on the X100VI.
This allows you to leave the aperture wide open in very bright conditions such as a sunny beach or a ski slope, or to capture a split-second motion. You can continue shooting wide-open with fast aperture lenses in the brightest of conditions without having to resort to fitting a glass ND filter or using an external flash and lights.
It’s all very well being able to record at 20fps, but unless the camera can quickly, accurately and reliably focus on whatever fast-moving subject you’re trying to capture, it’s all for nothing.
Thankfully, although the new X-T5 has the same hybrid autofocus system with up to 117 selectable phase detection and and contrast detections points as its predecessor, Fujifilm have made a couple of significant improvements to make it the best X100-series AF system yet.
Chief amongst these is the inclusion of subject-based computational AI, with the X100VI being able to automatically detect animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.
You do have to specifically choose which of those you want to track from the Subject Detection Setting menu, but you can easily register different settings to the camera’s various custom modes.
Turning this feature on resulted in a super-high hit rate in terms of auto-focusing, with the camera often able to focus on the subject before we’d even spotted it ourselves.
The improved autofocus prediction algorithm and particularly the subject detection modes help to ensure that the vast majority of your images are sharp.
The 40 megapixel sensor also allows the X100VI to record 6.2K/30p video with a modest 1.23x crop recorded in 4:2:2 10-bit internally.
It supports DCI 4K/60p recording at up to 30p from the sensor’s full with or at up to 60p with a 1.14x crop, and can shoot 1080/240p slow-motion footage. It also offers the F-Log 2 profile with up to 14+ stops of dynamic range.
Combined with a compatible HDMI recording device from Atomos or Blackmagic Design, 12-bit RAW video output can be recorded as Apple ProRes RAW or Blackmagic RAW.
There’s also a digital zoom function that uses the camera’s 40.2MP sensor to deliver up to 2x of digital zoom with little to no loss in resolution when recording video in 4K.
Sadly, the the X100VI doesn’t have a Still/ Movie switch for changing between these modes, as on the X-T5 and other X-series models. Instead the Movie mode is still rather buried away at the end of the Drive menu, which has always been rather incongruous.
The camera does at least swap between dedicated in-camera menu systems when you change modes, so you don’t have to scroll through excessive video options when all you want to do is photography, and vice versa, and the menu system for both disciplines is really well laid out.
A nice touch is that the front and rear control wheels can be used quietly in movie mode to make changes to exposure settings, even during capture. In conjunction with the touchscreen menu, most other key video controls such as white balance and image stabilisation can be adjusted too.
The camera is now equipped with a tracking AF function during movie recording – just tap the subject on the LCD screen and the camera will automatically keep it in focus.
Note that although its more well-appointed for video, there is still no full size HDMI port or 3.5mm headphone socket on the X100VI.
The X100VI has exactly the same 1.62M dot LCD touchscreen as its predecessor, a 2-way tilting unit that makes it easier to shoot at both waist-level and whilst holding the camera above your head.
It can now be tilted slightly further down to 45˚ and pulled slightly further away when turned upwards, but you still can’t tilt it out to the side, which would have been ideal for video use.
In order to smooth over any objections to the tilting screen, Fujifilm have gone to great lengths to effectively hide it by making an incredibly thin screen (just 4.4mm) that sits flush against the rear of the camera. Indeed, if it wasn’t for the slight indent and tab in the bottom left corner that’s used for pulling it outwards, you’d probably think that the screen was fixed in place.
Another key feature of the X100 series that has been retained is the hybrid viewfinder. This long-standing feature offers a frame coverage of 95% and 0.52x magnification.
Similarly, the electronic viewfinder is the same too, being 0.5-inch in size whilst offering 3.69M dot resolution, 0.66x magnification and a refresh rate of 100fps.
Just like the model before it, the Fuji X100VI is weather-sealed, something that further adds to its versatility as a go-anywhere street camera.
There is still quite a big catch, though – whilst the camera body is fully weather-sealed out of the box, the lens isn’t, requiring the purchase and fitting of the optional PRF-49 protective filter with the AR-X100 adapter ring to fully protect it from the elements.
Fujifilm have said that they didn’t want to make the camera bigger and more expensive by making the lens weatherproof out-of-the-box. While this is commendable, having to purchase expensive accessories that make the camera bigger and heavier isn’t exactly an ideal solution for anyone who want to shoot in the rain or dusty environments.
The X100VI offers a total of 20 Film Simulation modes, including the brand new ‘REALA ACE’ mode, which makes its X-series debut on the X100VI and provides more faithful colour reproduction coupled with high-contrast tonality.
This camera features both built-in wi-fi and Bluetooth connectivity. The latter option creates a constant, low-power connection between the camera and a smartphone/tablet to transfer images and video using the Fujifilm Camera Remote smartphone app.
The former allows you to remotely control the camera via either a 2.4Ghz or 5GHz wi-fi connection using a smartphone or tablet and the Fujifilm app, and transfer images and video from one device to the other.
Battery life has been marginally improved despite using exactly the same NP-W126S battery as the X100V and the X100F, up from 350/420 frames when using the EVF/OVF to 360/450 frames on the X100VI.
The X100VI can also be powered and charged via a USB-C connection, which is useful if you’re out and about and have a compatible power-bank to plug the camera into. It uses the newer Type C standard which also allows it to be used as a port for a external headphones, using an adapter.
Rather infuriatingly, the single SD memory card slot that’s housed in the battery compartment on the bottom of the camera still only supports the slower UHS-I standard, rather than UHS-II, a surprising omission on a 2024 camera.
Image Quality
All of the sample images in this review were taken using the 40.2 megapixel Fine JPEG setting, which gives an average image size of around 18Mb.
The Fujifilm X100VI produced images of outstanding quality. It records noise-free JPEG images from ISO 64 up to ISO 3200, with a little noise at ISO 6400 and more visible noise at the faster settings of ISO 12800 and 25600 (ISO 51200 is best avoided), an amazing performance for a camera with a 40 megapixel APS-C sensor. The RAW files were also excellent, exhibiting more noise than their JPEG counterparts but still producing very usable images from ISO 64-6400.
The night photograph was excellent, with the maximum shutter speed of 30 seconds being long enough for most after-dark shots, and the Bulb mode allowing much longer exposures if required. The Dynamic Range and HDR settings subtly improve detail in the shadows and highlights, while the extensive range of Film Simulation modes hark back to a bygone era, and the Advanced Filters allow you to have a little fun with your images in-camera.
Noise
There are 11 full ISO settings available on the Fujifilm X100VI for JPEGs and RAW files. Here are some 100% crops which show the noise levels for each ISO setting.
JPEG
RAW
ISO 64
ISO 64
ISO 125
ISO 125
ISO 200
ISO 200
ISO 400
ISO 400
ISO 800
ISO 800
ISO 1600
ISO 1600
ISO 3200
ISO 3200
ISO 6400
ISO 6400
ISO 12800
ISO 12800
ISO 25600
ISO 25600
ISO 51200
ISO 51200
File Quality
The Fujifilm X100VI has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
Fine (18Mb) (100% Crop)
Normal (9.1Mb) (100% Crop)
RAW (85.5Mb) (100% Crop)
Dynamic Range
The Fujifilm X100VI has three dynamic range settings – 100% (on by default), 200%, and 400% – and an Auto setting if you want to let the camera take control.
These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can’t actually turn this feature off. All three settings are available from ISO 500 upwards.
100%
200%
400%
HDR
The Fujifilm X100VI has a High Dynamic Range mode with five different settings – AUTO, 200%, 400%, 800%, 800%+. The camera takes three shots with different exposures, changing the shutter speed for each one, and then combining them in-camera.
Off
Auto
200%
400%
800%
800+%
Film Simulations
The Fujifilm X100VI offers 20 different film simulation modes to help replicate the look of your favourite film stock from the past, including the brand new Reala Ace.
Provia / Standard
Velvia / Vivid
Astia / Soft
Classic Chrome
Reala Ace
Pro Neg. Hi
Pro Neg. Standard
Classic Neg.
Nostalgic Neg.
Eterna / Cinema
Eterna Bleach Bypass
Acros
Monochrome
Sepia
Advanced Filters
The Fujifilm X100VI offers 13 different creative filter effects which are found in the Drive menu.
Toy Camera
Miniature
Pop Color
High-Key
Low-Key
Dynamic Tone
Soft Focus
Partial Color (Red)
Partial Color (Orange)
Partial Color (Yellow)
Partial Color (Green)
Partial Color (Blue)
Partial Color (Purple)
Multiple Exposure
The Fujifilm X100VI’s Multiple Exposure mode combines up to 9 different images together in-camera to create one composite image, with four different ways of combining them – Additive, Average, Bright, Dark.
Sample Images
This is a selection of sample images from the Fujifilm X100VI camera, which were all taken using the 40 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.
Sample RAW Images
The Fujifilm X100VI enables users to capture RAW and JPEG format files. We’ve provided some Fujifilm RAW (RAF) samples for you to download (thumbnail images shown below are not 100% representative).
Sample Movies & Video
This is a sample 6.2K movie at the quality setting of 6240×3150 pixels at 30 frames per second. Please note that this 15 second movie is 108Mb in size.
This is a sample 4K movie at the quality setting of 3840×2160 pixels at 60 frames per second. Please note that this 16 second movie is 107Mb in size.
This is a sample Full HD 8x slow-motion movie at the quality setting of 1920×1080 pixels at 240 frames per second. Please note that this 110 second movie is 272Mb in size.
Product Images
Conclusion
Thirteen years have passed since the debut of the original X100, and here we are with the launch of the 6th generation, which looks remarkably similar to all of its predecessors.
Fujifilm have certainly stuck with the tried and tested formula that has served the series so well, and who can blame them when the X100V has been one of, if not the, best selling camera of of the last two years?
To be fair to Fujifilm, they could have chosen to just sell as many X100Vs as they could produce in order to satisfy the seemingly insatiable demand that’s been fanned by social media influencers.
Instead, they’ve launched an entirely new version that is a definite improvement on the old one, whilst not rocking the boat too much so as to put off all those would-be buyers who couldn’t get hold of the X100V for love nor money.
By far the best new feature on the Mark VI model is in-body image stabilisation (IBIS), which makes the camera much more versatile in low light than its predecessor. The fact that Fujifilm’s engineers have managed to incorporate it with only a very slight increase in size and weight is the proverbial icing on the cake.
The other significant change is the incorporation of Fujifilm’s latest image sensor and processor combo, no doubt made to help keep manufacturing costs down across the camera range.
The 40 megapixel sensor offers the twin benefits of much greater resolution and 6K video, whilst the processor significantly introduces subject-recognition AF, all features previously seen on other X-series models but never featured before on the X100.
Whether you actually need bird-detection AF on a camera with a 35mm fixed focal length lens is perhaps another matter entirely, as is the fact that the video mode continues to seem like an after-thought on what is very much a stills-focused camera, and we can’t really forgive the UHS-I SD card slot on what is after all a new 2024 camera.
With a reported 1/2 million pre-orders in China alone, it’s clear that the new VI is certainly set to continue the recent enormous success of the X100-series. It may represent an evolution of the blueprint rather than a revolution, but that hardly seems to matter when just producing enough X100s of any kind seems to be the order of the day…
Ratings (out of 5)
Design
5
Features
4.5
Ease-of-use
4.5
Image quality
5
Value for money
4
Main Rivals
Listed below are some of the rivals of the Fujifilm X100VI.
The new Canon PowerShot G5 X Mark II is a premium compact camera that’s clearly been re-designed to take on the all-conquering Sony RX100 series of cameras whilst offering some class-leading features of its own, including a longer zoom lens, touchscreen interface and bigger grip. Discover what’s new in our Canon PowerShot G5 X Mark II review, complete with full-size sample images and videos…
Canon’s PowerShot G7 X Mark III is a brand new compact camera that offers a lot of bang for your buck, for both stills photographers and vloggers alike. Find out just what the latest generation of this camera is capable of by reading our in-depth Canon PowerShot G7 X Mark III review, complete with full-size sample JPEG and Raw images…
The new Fujifilm X-S20 aims to be a hybrid mirrorless camera for the masses, offering 6K video, 26 megapixel stills, a specific shooting mode for vloggers and long battery life, all in a small, well-built body. Is the XS20 the ultimate do-it-all camera? Find out now by reading our in-depth Fuji XS20 review complete with full-size sample images and videos.
The Fujifilm X-T5 is the successor to the very popular X-T4 which was released in 2020, principally adding a new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and better auto-focusing. Can the new XT5 improve on what was already an outstanding camera? Find out now by reading our in-depth Fujifilm X-T5 review…
As its name suggests, the new X100V represents the fifth generation of Fujfilm’s now classic 35mm fixed lens premium compact camera series. The new Fuji X100V uses exactly the same 26 megapixel sensor and X-Processor 4 as the rest of the latest X-series cameras, and also adds weather-proofing, a revised lens design, tilting LCD touchscreen and 4K video recording into the rich mix. Read our in-depth Fujifilm X100V review now, complete with full-size sample images and videos…
The D-Lux 7 is Leica’s brand new premium compact camera, featuring a relatively large Micro Four Thirds sensor and a fast 3.1x zoom lens. Is this the best pocket camera on the market? Find out now by reading our Leica D-Lux 7 review, complete with full-size sample images.
The Leica Q3 is a compact camera like no other, with a 60 megapixel full-frame sensor, 8K/30p video recording, hybrid AF system and a 28mm f/1.7 fixed lens all housed in a traditional body. Is this the ultimate tool for street and landscape photography? Find out now by reading our in-depth Leica Q3 review, complete with full-size sample photos and videos…
The Panasonic Lumix LX100 II is the successor to one of our favourite compact cameras of all time, the ahead-of-the-game LX100, which was launched way back in 2014. Read our in-depth Panasonic LX100 II review with sample JPEG, RAW and video files to find out if we rate it just as highly as the original…
The new GR III is a significant update of Ricoh’s popular GR premium compact camera series, offering a 28mm fixed focal length lens, 3-axis image stabilisation system, large 24 megapixel APS-C sensor, 1080/60p video recording, 3 inch LCD touchscreen, flash hotshoe, and built-in wifi and bluetooth connectivity. Read our in-depth Ricoh GR III review complete with full-size JPEG and RAW sample images to find out if this camera still has what it takes in 2019…
Review Roundup
Reviews of the Fujifilm X100VI from around the web.
Out of all the cameras that Fujifilm has produced during the past 12 years, the X100 series and the X-Pro series are the cameras that have always been my tools of the trade. I’ve seen the two lines grow more complete with every new iteration, to the point where I thought that Fujifilm couldn’t improve upon the X100V. It has been that perfect to me.
Read the full review »
For the past few days, I’ve been testing a fashion accessory: the Fujifilm X100VI. I’d like to otherwise call it the best toy camera of 2024. To be frank, the deepest emotions within me want to label this camera as the embodiment of the word “meh.” At least, that’s the best way that I can describe the one that I’m using.
Read the full review »
The Fujifilm X100VI, pronounced “Six”, is Fujifilm’s latest X100-series camera. The previous X100V is infamous for a multitude of reasons, notably for combining gorgeous retro styling with modern high-spec digital imaging. It’s been featured on numerous videos, gone viral on TikTok, and due to high demand, has been incredibly hard to find.
Read the full review »
Specifications
Model name
FUJIFILM X100VI
Image sensor
23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter
Number of effective pixels
40.2 millions pixels
Sensor Cleaning System
Ultra Sonic Vibration
Image Processing Engine
X-Processor 5
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image
DCF
Compliant with Design rule for Camera File system (DCF2.0)
JPEG
Exif Ver.2.32*1
HEIF
4:2:2 10bit
RAW
14bit RAW (RAF original format)
TIFF
8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels
［L］
〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
［M］
〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
［S］
〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama［L］
〈vertical〉2160 x 9600 〈Horizontal〉9600 x 1440
Panorama［M］
〈vertical〉2160 x 6400 〈Horizontal〉6400 x 1440
Lens
Type
FUJINON single focal length lens
Focal length
f=23mm (35mm format equivalent : 35mm)
Max. aperture
F2.0
Lens configuration
8 elements in 6 groups (includes 2 aspherical elements)
ND filter
Yes (4 stops)
Aperture
F2 – F16 1/3EV step (controlled with 9-blade aperture diaphragm)
Focus range
Approx. 10cm to infinity / 3.9in. to infinity
Conversion lens
WIDE / TELE / OFF
Digital Tele-Converter
70mm* / 50mm* / 35mm*(Nomal)*35mm fomat equivalent
Sensitivity
Still Image
Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO125～12800 (1/3 step)Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Movie
Standard Output: AUTO / ISO125～12800 (1/3 step)Extended Output: ISO25600
Exposure control
TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation
Still
-5.0EV～+5.0EV 1/3EV step
Movie
-2.0EV～+2.0EV 1/3EV step
Image stabilizer
Mechanism
Image sensor shift mechanism with 5-axis compensation
Compensation Effect
6.0 stops*based on CIPA standard*Pitch/yaw shake only*When shooting with EVF/LCD
Digital Image Stabilization
Yes (movie mode only)
IS MODE BOOST
Yes (movie mode only)
Shutter type
Lens Shutter
Shutter speed
Mechanical shutter
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb: up to 60min.
Electronic shutter
P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed
Mechanical + Electronic shutter
P mode:30sec. to 1/180000sec. A mode:30sec. to 1/180000sec. S/M mode:15min. to 1/180000sec. Bulb:up to 60min.*Mechanical shutter works until 1/4000sec.
Movie
6.2K: 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/24 sec. FHD: 1/4000sec. to 1/24 sec.*Cannot choose slower shutter speed than framerate for some settings.
Continuous shooting
CH Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: JPEG 117 frames, Compressed RAW 52 frames, Lossless compressed RAW 35 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 25 frames, Lossless compressed RAW + JPEG 22 frames, Uncompressed RAW + JPEG 17 frames)CH Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: JPEG 146 frames, Compressed RAW 57 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 38 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)CH Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: JPEG 163 frames, Compressed RAW 59 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 18 frames, Compressed RAW + JPEG 36 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)CH Electronic shutter Approx. 13fps (No. of recordable frames: JPEG 80 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 25 frames, Lossless compressed RAW+JPEG 18 frames, Uncompressed RAW+JPEG 17 frames)CH Electronic shutter Approx. 8.9fps (No. of recordable frames: JPEG 84 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 17 frames)CH Mechanical shutter Approx. 11fps (No. of recordable frames: JPEG 38 frames, Compressed RAW 33 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 76 frames, Compressed RAW 35 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)CL Mechanical shutter Approx. 6.0fps (No. of recordable frames: JPEG 97 frames, Compressed RAW 36 frames, Lossless compressed RAW 23 frames, Uncompressed RAW 18 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 18 frames)CL Approx. 5.0fps (No. of recordable frames: JPEG 110 frames, Compressed RAW 42 frames, Lossless compressed RAW 25 frames, Uncompressed RAW 18 frames)CL Approx. 4.0fps (No. of recordable frames: JPEG 184 frames, Compressed RAW 48 frames, Lossless compressed RAW 26 frames, Uncompressed RAW 19 frames)CL Approx. 3.0fps (No. of recordable frames: JPEG 504 frames, Compressed RAW 57 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 20 frames)Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: While half press 20 frames, After full press 135 frames, Total 155 frames)Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: While half press 13 frames, After full press 177 frames, Total 190 frames)Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: While half press 10 frames, After full press 240 frames, Total 250 frames)Pre-shot Electronic shutter Approx. 11fps (No. of recordable frames: While half press 11 frames, After full press 79 frames, Total 90 frames)Pre-shot Electronic shutter Approx. 8fps (No. of recordable frames: While half press 8 frames, After full press 102 frames, Total 110 frames)*Recordable frames depends on recording media*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing
Any 3 types of film simulation selectable
Dynamic Range Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
Multiple Exposure
Yes (Max. 9 frames) / Additive / Average / Bright / Dark
HDR Mode
AUTO / 200% / 400% / 800% / 800% +
Advanced filter
Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus
Mode
Single AF / Continuous AF / MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance
Contrast: -2.0EVPhase Detection: -5.0EV
AF frame selection
Single point AF: 13×9 / 25×17 (Changeable size of AF frame)Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 gridWide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)All: Yes
Face/eye detection
Yes
Subject detection
Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Flash
Built-in flash
Auto flash [Super Intelligent Flash]Guide Number: approx. 4.4 (ISO100・m)Effective range(ISO1600): approx. 30cm – 7.4m/1.0ft. – 24.3ft.Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash
Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder (Hybrid viewfinder)
OVF: Reverse Galilean viewfinder with electronic bright frame displayCoverage of Frame Area v.s. Capturing Area: approx. 95%Magnification: approx x0.52
Viewfinder
EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dotsCoverage of Viewing Area vs. Capturing Area: Approx. 100%Eyepoint: Approx. 16.8mm (from the Rear End of the Camera’s Eyepiece)Diopter Adjustment: -4～+2m-1Magnification: 0.66x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 32° (Horizontal angle of view: approx. 27° )Built-In Eye Sensor
LCD monitor
3.0 inch tilting touch screen color LCD monitorAspect Ratio: 3:2Dots: Approx. 1.62 million dots
Touch Screen Mode
Shooting Mode
Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Movie recording
File format
MOV:HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)MP4:MPEG-4 AVC/H.264, AAC
Movie compression
Long GOP
File sizeFrame rateBitrate
[6.2K(16:9)] 6240 x 3150 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 200Mbps (recording)[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 200Mbps (recording)*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.*Selectable bitrate will be changed depends on the setting.*Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode
20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Color
Yes
Grain Effect
Roughness
STRONG, WEAK, OFF
Size
LARGE, SMALL
Color Chrome Effect
STRONG, WEAK, OFF
Color chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic range setting
Still
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
Movie
100％ / 200％ / 400％ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
White balance
Auto
White Priority / Auto / Ambience Priority
Custom
Custom1 – 3
Color temperature selection
2500K～10000K
Preset
Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting
±5 steps
Self-timer
Still
10sec. / 2sec.
Movie
10sec. / 5sec. / 3sec.
Interval timer shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter
Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption
WPA/WPA2 mixed mode, WPA3
Access mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency)
2402～2480MHz
Terminal
Digital interface
USB Type-C USB 10Gbps
HDMI output
HDMI Micro connector (Type D)
Others
Microphone / shutter release input: ø2.5mmHot shoe
Power supply
NP-W126S Li-ion battery (included)
Battery life for still images*2
Economy Mode: Approx. 360 / 450 frames (EVF / OVF)Normal Mode: Approx. 310 / 450 frames (EVF / OVF)
Actual battery life of movie capture*2
6.2K: Approx. 45min. (29.97p)4K: Approx. 45min. (59.94p)Full HD: Approx. 50min. (59.94p)、Approx. 55min. (120P)*Face detection is set to OFF
Continuance battery life of movie capture*2
6.2K: Approx. 70min. (29.97p)4K: Approx. 70min. (59.94p)Full HD: Approx. 85min. (59.94p)*Face detection is set to OFF
Dimensions
Width: 128.0mmHeight: 74.8mmDepth: 55.3mm(Minimum Depth: 33.2mm)
Weight
including battery and memory card: Approx. 521gexcluding battery and memory card: Approx. 471g
Operation Environment
Operating Temperature
0℃～+40℃
Operating Humidity
10% – 80% (no condensation)
Accessories included
Li-ion battery NP-W126SUSB cableShoulder strapMetal strap clipClip attaching toolProtective coverLens capHot shoe coverOwner’s manual
*1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
*2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Media Rec (SD memory card)
Resolution/Aspect
Size
Frame rate
File format/Compression
Bit rate*1
Bit depth
HDMI outuptResolution(Frame rate)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
H.265 Long GOP 4:2:2 MOVH.265 Long GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*24K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*2
Notpossible
1.23x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
H.265 Long GOP 4:2:2 MOVH.265 Long GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
DCI4K/4K 4:2:2 10bit
Notpossible
1.23x
H.264 Long GOP 4:2:0 MOVH.264 Long GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
DCI4K/4K 4:2:2 8bit
Notpossible
1.23x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
H.265 Long GOP 4:2:2 MOVH.265 Long GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
DCI4K/4K 4:2:2 10bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Long GOP 4:2:0 MOVH.264 Long GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
DCI4K/4K 4:2:2 8bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
H.265 Long GOP 4:2:2 MOVH.265 Long GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
FHD 4:2:2 10bit*3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Long GOP 4:2:0 MOVH.264 Long GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
FHD 4:2:2 8bit*3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
High speedFHD 17:9FHD 16:9
2048 x 10801920 x 1080
240fps(4×/8×/10×)200fps(4×/8×)120p (2x/4x/5x)100p (2x/4x)
H.265 Long GOP 4:2:2 MOVH.265 Long GOP 4:2:0 MOV
200Mbps (when recording)
10bit
FHD(59.94p) 4:2:2 10bit*4
Notpossible
1.23x
H.264 Long GOP 4:2:0 MOVH.264 Long GOP 4:2:0 MP4
200Mbps (when recording)
8bit
FHD(59.94p) 4:2:2 8bit*4
HDMI Output
Resolution/Aspect
Size
Frame rate
HDMI outuptResolution/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit*2
Notpossible
1.23x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
Notpossible
1.23x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit *3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
HDMI Output (High speed REC HDMI ONLY)
Resolution/Aspect
Size
Frame rate
HDMI outuptResolution(Frame rate)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
FHD 16:9
1920 x 1080
120p100p
FHD(120p/100p) 4:2:2 10bit
Notpossible
1.23x
*1 Bit rate will be changed depend on the subject
*2 The resolution from HDMI output is different from selected setting
*3 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band.
*4 The frame rate from HDMI output is different from selected setting
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